Lake Michigan, Scene 1

Daniel Borzutzky

copyright ©2018

They beat me even though I did nothing

I don’t know what day it was

But they beat me on the beach

They beat me with iron paws

The mayor ordered the police superintendent to beat me

The police superintendent ordered an officer to beat me

The officer ordered his dogs to attack me

Then someone beat me with iron paws

Then someone kicked me with iron boots

Then someone shot me

Then someone buried me in the sand

Then someone scooped me out of the sand and dumped me
somewhere

And I was dead

But I could feel the sand on my body

I could feel the sand filling my mouth

I could feel the sand in my eyes

There was an earthquake in my eyes

There was a tornado in my mouth

But after the storms passed it was peaceful and I was dead

And they beat me even though I did nothing

They said I was illegal

They said I was an immigrant

They said I was an illegal immigrant who roamed the streets in a gang

They said I raped people

They said I killed people

They said I smuggled drugs in my gastrointestinal tract

They said I didn’t speak the right language

They said my boss exploited me and I tried to kill him

They said my boss treated me well and I tried to kill him

They said my heart was dark

They said I peddled in blood

They said this is only war and that I had the audacity to think
my body could resist the state

Let death come quickly    I asked

Let death be easy

But I did not know how long it would take

I did not know I would be under the sand forever

I did not know that in Chicago the bodies do not die when they
have been strangled or riddled with bullets

A journalist asked the mayor why they killed us

I am not responsible     said the mayor

There will be an inquest    said the mayor

We will bring the perpetrators to justice     said the mayor

He was wearing a slim fitting suit and he looked handsome as
the hurricane entered his mouth

He was wearing a slim fitting suit and he looked handsome as he
pretended he did not live in a city of state-killed cadavers

He had gel in his hair and his shoes were nicely polished

I died and I died again and a voice said something about hope

Another voice said you pay a big price for hope

I dragged myself around the sand and I tried to make it to the
water because I thought the water might carry me away but each
time I took a step closer to the water the water moved farther
from my body and there were faces in the water and they were
calling to me and I was trying to get to them

It’s what you do when you are dead

But every time I took a step toward the water the water drew
farther away

And the faces in the water were murmuring and their murmurs
grew louder and louder as I moved nearer and farther

And it is only war     a voice said      by way of explanation     as
he photographed my dead body on the sand

And I was dead though I was still breathing when I finally made
it to the water

And in the water there was another war going on in the waves

It was only the beginning of the war that would kill me again
and again

Notes on the Poem

This week’s poem, “Lake Michigan, Scene 1,” is excerpted from Daniel Borzutsky’s 2019 shortlisted collection, Lake Michigan (University of Pittsburgh Press). For the past few weeks, our Poem of the Week focused on translated poems, poems about translation, as well as poems written by poet-translators. Daniel Borzutzky’s translations to Spanish include Raúl Zurita's Song for his Disappeared Love (Action Books, 2010) and Jaime Luis Huenún's Port Trakl (Action Books, 2008), among others. Although not a translation per se, Lake Michigan is written from the perspective of someone who doesn’t “speak the right language.” Of the collection, the judges said: “Daniel Borzutzky’s Lake Michigan is an elegant and chilling masterpiece of dramatic speech in a tradition of activist, political poetry that encompasses works as diverse as Pablo Neruda’s Canto General and Peter Dale Scott’s Coming to Jakarta: A Poem About Terror. One of the theses embodied in its multiplicity of voices might be said to be that state-sponsored (or state-acquiescent) violence creates ghosts – ghosts who, by continued speaking, come to stand in for the people from whose histories they have been created, people who are therefore never truly dead. Technically brilliant in its use of repetition and variation, leavened with touches of embittered, and yet, in the end, resilient, drollness, Lake Michigan is an eloquent, book-length howl, a piece of political theatre staged in a no-man’s land lying somewhere between the surreal and the real.”

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