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    GRIFFIN POETRY PRIZE 2004

    Canadian Shortlist

    Click here to purchase Now You Care, by Di Brandt 

    Book: Now You Care
    Poet: Di Brandt
    Publisher: Coach House Books

    Click the book cover or title to purchase Now You Care online.

     

    Click here to read and listen to an excerpt.

     

    Biography

    Di Brandt

    Di Brandt’s poetry has received many awards, including the Gerald Lampert Award, the McNally Robinson Manitoba Book of the Year Award and the CAA National Poetry Award. She has been twice shortlisted for the Governor General’s Award and has been nominated for the Commonwealth Poetry Prize and the Pat Lowther Award. Now You Care is her fifth collection of poetry and has also been shortlisted for the 2004 Trillium Book Award and the Pat Lowther Memorial Award. Among her other publications are questions i asked my mother (1987); Agnes in the sky (1990); mother, not mother (1992); Wild Mother Dancing: Maternal Narrative in Canadian Literature (1993); Jerusalem, beloved (1995) and Dancing naked: Narrative Strategies for Writing Across Centuries (1996). Selected anthologies include Section Lines: A Manitoba Anthology (1988); Making a Difference: Canadian Multicultural Literature (Oxford University Press, 1996) and Uncommon Wealth: an Anthology of Poetry in English (Oxford University Press, (1996).

    Brandt grew up in Reinland, a Mennonite farming village in south central Manitoba and was one of the first women writers to break the public silence of Mennonite women in Canada. She taught English and Creative Writing at the University of Winnipeg from 1986-1995, and currently teaches Creative Writing and Canadian Literature at the University of Windsor. She recently spent a year living and writing in Berlin. She is a former poetry editor of Prairie Fire and a founding member of the feminist editorial collective of Contemporary Verse II.

    Judges’ Citation

    Di Brandt manages beautifully the difficult job of producing poems that are socially conscientious without being didactic. She knows that the best poetry rests on the authority of the heart. Thus, she makes her readers care not only through the pleasures of form and crafted language, but also through the risky honesty of her articulations.”

    From Zone: le Détroit

    after Stan Douglas

    1

    Breathing yellow air
    here, at the heart of the dream
    of the new world,
    the bones of old horses and dead Indians
    and lush virgin land, dripping with fruit
    and the promise of wheat,
    overlaid with glass and steel
    and the dream of speed:
    all these our bodies
    crushed to appease
    the 400 & 1 gods
    of the Superhighway,
    NAFTA, we worship you,
    hallowed be your name,
    here, where we are scattered
    like dust or rain in ditches,
    the ghosts of passenger pigeons
    clouding the silver towered sky,
    the future clogged in the arteries
    of the potholed city,
    Tecumseh, come back to us
    from your green grave,
    sing us your song of bravery
    on the lit bridge over the black river,
    splayed with grief over the loss
    of its ancient rainbow coloured
    fish swollen joy.
    Who shall be fisher king
    over this poisoned country,
    whose borders have become
    a mockery,
    blowing the world to bits
    with cars and cars and trucks and electricity and cars,
    who will cover our splintered
    bones with earth and blood,
    who will sing us back into -

    2

    See how there's no one going to Windsor,
    only everyone coming from?
    Maybe they've been evacuated,
    maybe there's nuclear war,
    maybe when we get there we'll be the only ones.
    See all those trucks coming toward us,
    why else would there be rush hour on the 401
    on a Thursday at nine o'clock in the evening?
    I counted 200 trucks and 300 cars
    and that's just since London.
    See that strange light in the sky over Detroit,
    see how dark it is over Windsor?
    You know how people keep disappearing,
    you know all those babies born with deformities,
    you know how organ thieves follow tourists
    on the highway and grab them at night
    on the motel turnoffs,
    you know they're staging those big highway accidents
    to increase the number of organ donors?
    My brother knew one of the guys paid to do it,
    $100,000 for twenty bodies
    but only if the livers are good.
    See that car that's been following us for the last hour,
    see the pink glow of its headlights in the mirror?
    That's how you know.
    Maybe we should turn around,
    maybe we should duck so they can't see us,
    maybe it's too late,
    maybe we're already dead,
    maybe the war is over,
    maybe we're the only ones alive.

    3

    So there I am, sniffing around
    the railroad tracks
    in my usual quest for a bit of wildness,
    weeds, something untinkered with,
    goldenrod, purple aster, burdocks,
    defiant against creosote,
    my prairie blood surging
    in recognition and fellow feeling,
    and O god, missing my dog,
    and hey, what do you know,
    there's treasure here
    among these forgotten weeds,
    so this is where they hang out,
    all those women's breasts
    cut off to keep our lawns green
    and dandelion free,
    here they are, dancing
    their breastly ghost dance,
    stirring up a slight wind in fact
    and behaving for all the world
    like dandelions in seed,
    their featherwinged purple nipples
    oozing sticky milk,
    so what am I supposed to do,
    pretend I haven't seen them
    or like I don't care
    about all these missing breasts,
    how they just vanish
    from our aching chests
    and no one says a word,
    and we just strap on fake ones
    and the dandelions keep dying,
    and the grass on our lawns
    gets greener and greener
    and greener

    4

    This gold and red autumn heat
    this glorious tree splendour,
    splayed out for sheer pleasure
    over asphalt and concrete,
    ribbons of dark desire
    driving us madly toward death,
    perverse, presiding over
    five o'clock traffic
    like the queens on Church Street
    grand in their carstopping
    high heels and blond wigs
    and blue makeup, darling,
    so nice to see you, and what,
    dear one, exactly was the rush?
    Or oceans, vast beyond ridicule
    or question, and who care if it's
    much too hot for November,
    isn't it gorgeous, darling,
    and even here, in this
    most polluted spit of land
    in Canada, with its heart
    attack and cancer rates,
    the trees can still knock
    you out with their loveliness
    so you just wanna drop
    everything and weep, or laugh,
    or gather up the gorgeous
    leaves, falling, and throw yourself
    into them like a dead man,
    or a kid, or dog,

    5

    O the brave deeds of men!
    M*E*N, that is, they with phalli
    dangling from their thighs,
    how they dazzle me with
    their daring exploits
    every time I cross the Detroit River,
    from down under, I mean,
    who else could have given
    themselves so grandly,
    obediently, to this water god,
    this fierce charlatan,
    this glutton for sailors and young boys,
    risking limbs and lives, wordlessly,
    wrestling primordial mud
    so that we, mothers and maids,
    could go shopping across the border
    and save ourselves twenty minutes
    coming and going, chatting about
    this and that, our feet never
    leaving the car, never mind
    the mouth of the tunnel
    is haunted by bits and fragments
    of shattered bone and looking
    every time like Diana's bridge
    in Paris, this is really grand, isn't it,
    riding our cars under the river
    and coming out the other side
    illegal aliens, needing passports,
    and feeling like we accomplished
    something, snatched from
    our busy lives, just being there

    From Now You Care, by Di Brandt
    Copyright © 2003

    Listen to Di Brandt read Zone: le Détroit

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