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    GRIFFIN POETRY PRIZE 2002

    Canadian Winner

    Click here to purchase Eunoia, by Christian Bök. 

    Book: Eunoia
    Poet: Christian Bök
    Publisher: Coach House Books

    Click the book cover or title to purchase Eunoia online.

    Click here to read and listen to an excerpt.

     

    Biography

    Christian Bök

    Christian Bök’s Eunoia has had twelve reprints and sold 11,000 copies since its publication in 2001, a phenomenal success story by Canadian standards. He is the author of the acclaimed Crystallography (Coach House Press, 1994), a pataphysical encyclopedia nominated for the Gerald Lampert Award for Best Poetic Debut. Pataphysics: The Poetics of an Imaginary Science is forthcoming from Northwestern University Press. Bök’s conceptual artwork has appeared at the Marianne Boesky Gallery in New York City as part of the Poetry Plastique exhibit. He has also created artificial languages for the TV shows, Gene Roddenberry’s Earth: Final Conflict and Peter Benchley’s Amazon. Bök has also earned many accolades for his virtuoso performances of sound poetry (particularly the Ursonate by Kurt Schwitters).

    Judges’ Citation

    Christian Bök has made an immensely attractive work from those “corridors of the breath” we call vowels, giving each in turn its dignity and manifest, making all move to the order of his own recognition and narrative. Both he and they are led to delightfully, unexpected conclusions as though the world really were what we made of it. As we are told at the outset, “Eunoia, which means ‘beautiful thinking,’ is the shortest English word to contain all five vowels.” Here each speaks with persistent, unequivocal voice, all puns indeed intended.

    CHAPTER I
    for Dick Higgins

    Writing is inhibiting. Sighing, I sit, scribbling in ink
    this pidgin script. I sing with nihilistic witticism,
    disciplining signs with trifling gimmicks -- impish
    hijinks which highlight stick sigils. Isn't it glib?
    Isn't it chic? I fit childish insights within rigid limits,
    writing schtick which might instill priggish misgiv-
    ings in critics blind with hindsight. I dismiss nit-
    picking criticism which flirts with philistinism. I
    bitch; I kibitz - griping whilst criticizing dimwits,
    sniping whilst indicting nitwits, dismissing simplis-
    tic thinking, in which philippic wit is still illicit.

    Pilgrims, digging in shifts, dig till midnight in mining
    pits, chipping flint with picks, drilling schist with drills,
    striking it rich mining zinc. Irish firms, hiring micks
    whilst firing Brits, bring in smiths with mining skills:
    kilnwrights grilling brick in brickkilns, millwrights
    grinding grist in gristmills. Irish tinsmiths, fiddling
    with widgits, fix this rig, driving its drills which spin
    whirring drillbits. I pitch in, fixing things. I rig this
    winch with its wiring; I fit this drill with its piping. I
    dig this ditch, filling bins with dirt, piling it high, sift-
    ing it, till I find bright prisms twinkling with glitz.

    Hiking in British districts, I picnic in virgin firths,
    grinning in mirth with misfit whims, smiling if I find
    birch twigs, smirking if I find mint sprigs. Midspring
    brings with it singing birds, six kinds (finch, siskin, ibis,
    tit, pipit, swift), whistling shrill chirps, trilling chirr
    chirr in high pitch. Kingbirds flit in gliding flight,
    skimming limpid springs, dipping wingtips in rills
    which brim with living things: krill, shrimp, brill -
    fish with gilt fins, which swim in flitting zigs. Might
    Virgil find bliss implicit in this primitivism? Might
    I mimic him in print if I find his writings inspiring?

    Fishing till twilight, I sit, drifting in this birch skiff,
    jigging kingfish with jigs, brining in fish which nip
    this bright string (its vivid glint bristling with stick
    pins). Whilst I slit this fish in its gills, knifing it, slicing
    it, killing it with skill, shipwrights might trim this jib,
    swinging it right, hitching it tight, riding brisk winds
    which pitch this skiff, tipping it, tilting it, till this ship
    in crisis flips. Rigging rips. Christ, this ship is sink-
    ing. Diving in, I swim, fighting this frigid swirl, kick-
    ing, kicking, swimming in it till I sight high cliffs,
    rising, indistinct in thick mists, lit with lightning.

    Lightning blinks, striking things in its midst with
    blinding light. Whirlwinds whirl; driftwinds drift.
    Spindrift is spinning in thrilling whirligigs. Which
    blind spirit is whining in this whistling din? Is it
    this grim lich, which is writhing in its pit, lifting its
    lid with whitish limbs, rising, vivific, with ill will in
    its mind, victimizing kids timid with fright? If it is -
    which blind witch is midwifing its misbirth, binding
    this hissing djinni with with witching spiritism? Is it this
    thin, sickish girl, twitching in fits, whilst writing
    things in spirit-writing? If it isn't - it is I; it is I …

    Lightning flicks its riding whip, blitzing this night
    with bright schisms. Sick with phthisis in this driz-
    zling mist, I limp, sniffling, spitting bilic spit, itching
    livid skin (skin which is tingling with stinging pin-
    pricks). I find this frigid drisk dispiriting; still, I fight
    its chilling windchill. I climb cliffs, flinching with
    skittish instincts. I might slip. I might twist this in-
    firm wrist, crippling it, wincing whilst I bind it in its
    splint, cringing whilst I gird it in its sling; still, I risk
    climbing, sticking with it, striving till I find this rift,
    in which I might fit, hiding in it till winds diminish.

    Minds grim with nihilism still find first light inspir-
    ing. Mild pink in tint, its shining twilight brings bright
    tidings which lift sinking spirits. With firm will, I finish
    climbing, hiking till I find this inviting inn, in which
    I might sit, dining. I thirst. I bid girls bring stiff drinks
    - gin fizz which I might sip whilst finishing this rich
    dish, nibbling its tidbits: ribs with wings in chili, figs
    with kiwis in icing. I swig citric drinks with vim, tip-
    ping kirsch, imbibing it till, giggling, I flirt with girl-
    ish virgins in miniskirts: wink, wink. I miss living
    in sin, pinching thighs, kissing lips pink with lipstick.

    Slick pimps, bribing civic kingpins, distill gin in stills,
    spiking drinks with illicit pills which might bring bliss.
    Whiz kids in silk-knit shirts script films in which
    slim girls might strip, jiggling tits, wiggling hips, in-
    citing wild shindigs. Twin siblings in bikinis might kiss
    rich bigwigs, giving this prim prig his wish, whipping
    him, tickling him, licking his limp dick till, rigid,
    his prick spills its jism. Shit! This ticklish victim is
    trifling with kink. Sick minds, thriving in kinship
    with pigs, might find insipid thrills in this filth. This
    flick irks critics. It is swinish; it is piggish. It stinks.

    Thinking within strict limits is stifling. Whilst Viking
    knights fight griffins, I skirmish with this riddling
    sphinx (this sigil - I), I print lists, filing things (kin with
    kin, ilk with ilk), inscribing this distinct sign, listing
    things in which its imprint is intrinsic. I find its miss-
    ing links, divining its implicit tricks. I find it whilst
    skindiving in Fiji; I find it whilst picnicking in Linz. I
    find it in Inniskillin; I find it in Mississippi. I find it
    whilst skiing in Minsk. (Is this intimism civilizing if
    Klimt limns it, if Liszt lilts it?) I sigh; I lisp. I finish writ-
    ing this writ, signing it, kind sir: NIHIL, DICIT, FINI.

    From Eunoia, by Christian Bök
    Copyright © Christian Bök, 2001

    Listen to Christian Bök read Chapter I, for Dick Higgins

    Click here to view and hear Christian Bök reading Chapter I, for Dick Higgins.

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