Citation for Ken Babstock’s “Methodist Hatchet”
by Heather McHugh

copyright ©

Babstock is the live wire in the gene pool: stirring things up, rocking boats, disjoining easier conjunctions, jolting the culture’s DNA. From sea-and-skyscapes literally lettered, from the suspect core of our ‘décors? (‘lost heart’ informs that fashion’s stock and trade), he winds past mere mundanities to find the world again, with words for his divining wands. ‘Money’s the more virtual virtual,’ Babstock writes. ‘I don’t talk this way in Real Life.’ Cable-stitched by shopping channels, across northernmost America and more, desire is wired: With HGTV’s IV, or the PC’s ICU, we feed our merchandizing minds. ‘We bought this stuff,’ he says. Disclosure’s what he’s after, as wary of the cosy center as of the so-called cutting-edge. But get a load of those poetic closures: master craft in ‘Wikileaks and sea smoke’ weaving worlds of words together. Man of letters, he remarks the X’s on workmen’s safety vests; the V’s descending out of Gander, headed for the kind of down discounted in an Army-Navy store. A shapely mind will note the uppers, too; they’re cut with aspirin and talc. This guy is one ferocious logophile. A signature device, the ‘disconnected current gauge,’ trips all the switches: current cut off into currency – but also presents. It was ‘a gift,’ writes Babstock, with ‘its needle stilled between / ‘Reverse clips’ and ‘Start charge.’ Consult it / and it shivers on a hash mark.’ Thus, in a flash, the disused item (mere décor) becomes occasion for a gift: the wordsmith talent, not the dollar sign, with other hashes hinted, other hushes marked. The old and new worlds hackable in just one comprehensive stun, this shock of shiver to be had. Methodist Hatchet lets us have it. Thus do local gifts turn into global ones.