Poem of the Week Archives

An Absolutely Ordinary Rainbow

The word goes round Repins,
the murmur goes round Lorenzinis,
at Tattersalls, men look up from sheets of numbers,
the Stock Exchange scribblers forget the chalk in their hands
and men with bread in their pockets leave the Greek Club:
There’s a fellow crying in Martin Place. They can’t stop him.

The traffic in George Street is banked up for half a mile
and drained of motion. The crowds are edgy with talk
and more crowds come hurrying. Many run in the back streets
which minutes ago were busy main streets, pointing:
There’s a fellow weeping down there. No one can stop him.

The man we surround, the man no one approaches
simply weeps, and does not cover it, weeps
not like a child, not like the wind, like a man
and does not declaim it, nor beat his breast, nor even
sob very loudly – yet the dignity of his weeping

holds us back from his space, the hollow he makes about him
in the midday light, in his pentagram of sorrow,
and uniforms back in the crowd who tried to seize him
stare out at him, and feel, with amazement, their minds
longing for tears as children for a rainbow.

Some will say, in the years to come, a halo
or force stood around him. There is no such thing.
Some will say they were shocked and would have stopped him
but they will not have been there. The fiercest manhood,
the toughest reserve, the slickest wit amongst us

trembles with silence, and burns with unexpected
judgements of peace. Some in the concourse scream
who thought themselves happy. Only the smallest children
and such as look out of Paradise come near him
and sit at his feet, with dogs and dusty pigeons.

Ridiculous, says a man near me, and stops
his mouth with his hands, as if it uttered vomit –
and I see a woman, shining, stretch her hand
and shake as she receives the gift of weeping:
as many as follow her also receive it

and many weep for sheer acceptance, and more
refuse to weep for fear of all acceptance,
but the weeping man, like the earth, requires nothing,
the man who seeps ignores us, and cries out
of his writhen face and ordinary body

not words, but grief, not messages, but sorrow,
hard as the earth, sheer, present as the sea –
and when he stops, he simply walks between us
mopping his face with the dignity of one
man who has wept, and now has finished weeping.

Evading believers, he hurries off down Pitt Street.

Insomnia

If I were to sleep, it would be on an iron bed,
bolted to the floor in a bomb-proof concrete room
with twelve locks on the door.
I wouldn’t ask for a mattress
or decorate. I wouldn’t ask for beautiful.
I’d let the philosophers in,
but not into my bed.
They’d arrive cradling their brass instruments.
I might let them play
but only very softly and only if
they didn’t fight or sing.

If I were to sleep, there wouldn’t be any windows.
There would be a skylight,
but in the middle of the floor.
I’d press my face against the glass
and stare down at other floors upon floors upon floors …
I’d do a sleep dance right on top of the skylight.
It would be a new game.
It would involve amazing feats of sleep contortion.
It would involve letters.

If I were to sleep, I would be spread-eagled across the bed,
and even with the iron struts and screws cutting into my back,
I would protect the metal frame.
I would protect the springs.

A Short Story of Falling

It is the story of the falling rain
to turn into a leaf and fall again

it is the secret of a summer shower
to steal the light and hide it in a flower

and every flower a tiny tributary
that from the ground flows green and momentary

is one of water’s wishes and this tale
hangs in a seed-head smaller than my thumbnail

if only I a passerby could pass
as clear as water through a plume of grass

to find the sunlight hidden at the tip
turning to seed a kind of lifting rain drip

then I might know like water how to balance
the weight of hope against the light of patience

water which is so raw so earthy-strong
and lurks in cast-iron tanks and leaks along

drawn under gravity towards my tongue
to cool and fill the pipe-work of this song

which is the story of the falling rain
that rises to the light and falls again

b)

he heard snatches of comment
going up from the river bank

all them injuns is people first
and besides for this buckskin

why we even shoot at them
and seems like a sign of warm

dead as a horse friendship
and time to pedal their eyes

to lean out and say the truth3
all you injuns is just white keys

from Rings

Problem is our armpits and crotches are feathered
with cobwebs. Problem is she leaks soft-boiled eggs
or I package seedless grapes. Problem is her parents
made us wait until that had crossed the width
of my nose. Problem is she has a migraine. Problem is
we did not want children. Problem is we did
not want each other until too late. Problem is I can’t be
late for work in the morning. Problem is this morning
she says she dreamt she was holding a sandwich bag
of crickets. Problem is I am already late and listening
to the weather. Problem is we don’t speak
to the problem. Problem is the school bus
that stops in front of our townhouse just as I’m reversing

the problem is we don’t know who

But we did not want children. But we did
not want a townhouse either. But we got
a townhouse in a field of children with round
dimpled faces. But we did not want girls.
But we saw them in ribbon and crinoline
at church. But we did not want boys. But
we saw them squeezing frogs near the ravine.
But we did not want children. But they knocked
on our door with UNICEF cartons and chocolate
almonds. But we did not buy. But we bought.
But they wore soccer uniforms and ballet leotards
under their winter coats. But they sat in their mother’s
car as she dropped off the Avon. But we were surrounded by

pregnant women who grew round around

Or we could get a Pekingese. Give me children, or else I die.
Or a Siamese cat. Give me children, or else I die. Or we could
redecorate with glass and steel and pointy corners
in the best modern way. Give me children, or else I die. Or else
move to a ch-ching penthouse. Give me children,
or else I die.
Or throw parties and serve canapés. Give me
children, or else I die.
Or travel by train from farther to further
every spring. Give me children, or else I die. Or we could spend
the evenings counting our gold. Give me children, or else
I die.
Or become the cool aunt and uncle. Give me children,
or else I die.
Or sponsor a child or buy a goat. Give me children,
or else I die.
Or buy a hybrid or recycle more or run
a shelter or feed the poor or bike for cancer or knit for preemies

or else give me children or else give me children

Token Resistance

As one turns to one in a dream
smiling like a bell that has just
stopped tolling, hold out a book
and speaks: “All the vulgarity

of time, from the Stone Age
to our present, with its noodle parlors
and token resistance, is as a life
to the life that is given you. Wear it,”

so must one descend from checkered heights
that are our friends, needlessly
rehearsing what we will say
as a common light bathes us,

a common fiction reverberates as we pass
to the celebration. Originally
we weren’t going to leave home. But made bold
somehow by the rain we put our best foot forward.

Now it’s years after that. It
isn’t possible to be young anymore.
Yet the tree treats me like a brute friend;
my own shoes have scarred the walk I’ve taken.

Requests

O tell us more about your dad,
or why your second wife went mad,
or how it was you had no choice
but to give those men a voice;
sing that Cornish lullaby
you hush your kids with when they cry,
produce a boiled egg from your pocket,
a flageolet from your jacket,
expand on your idea that rhyme
is dead, or tell us of the time
you dropped your cellphone in the toilet;
a joke, a bird-call – please don’t spoil it,
go on with your brilliant proem!
Anything but read your poem.

Haunted Sonnet

Haunt lonely and find when you lose your shadow
secretive house centipede on the old window

You pronounce Erinyes as “Air-n-ease”
Alecto: the angry     Magaera: the grudging

Tisiphone: the avenger (voice of revenge)
“Women guardians of the natural order”

Think of the morning dream with ghosts
Why draw the widow’s card and wear the gorgeous

Queen of Swords crown        Your job is
to rescue the not-dead woman before she enters

the incinerating garbage chute     wrangle silver
raccoon power     Forever a fought doll

She said, “What do you know about Vietnam?”
Violet energy ingots     Tenuous knowing moment

The Wheelchair

Pushing you in your wheelchair to the sea
I look down at your yellowy bald patch
And recall your double-crown’s tufty hair.

You were the naughtier twin, were you not?
It was I who wept when you were chastised.
where am I pushing you, dear brother, where?

from A Part Song

What is the first duty of a mother to a child?
At least to keep the wretched thing alive – Band
Of fierce cicadas, stop this shrilling.

My daughter lightly leaves our house.
The thought rears up: fix in your mind this
Maybe final glimpse of her. Yes, lightning could.

I make this note of dread, I register it.
Neither my note nor my critique of it
Will save us one iota. I know it. And.