from Iona

by Mick Imlah



My right hand is Nessie’s head,
her neck my dripping arm. How old
is the dinosaur?
Forty
    or fifty million years.
Can the dinosaur sing? No,
too old; but likes to be soothed
    by others singing.

I open her thumb-
    and-finger beak
at least to let her speak
in her quavery Triassic,
‘Take me to your leader!’
—to which you instantly,
    I haven’t got any leader.

What, meanwhile, are my own terms?
Darling—’little’—Mädchen—the same
Suspicious argot I used to spy on.

Strange, that we dwell so much
sometimes, on self and such,
that we can spend an age without
    a clear view out:
when, if I asked the mirror once
in the way of an old queen,
to frame how things might look
twenty or thirty visits thence,
all it reflected back was white
and unrefracted light, the mean
prophetics of a closed book.

My Hand and Cold

by Natalie Shapero



Of surgeons putting their knives to erroneous

body parts, stories abound. So can you really blame
my neighbor for how, heading into the operation,
he wrote across his good knee NOT THIS KNEE?

The death of me: I’m never half so bold. You will
feel, the doctor said, my hand and cold –

and I thought of the pub quiz question: which three
countries are entirely inside of other countries?
I bought the bound ONE THOUSAND NAMES
FOR BABY, made two lists: one if she’s born breathing,

one if not. The second list was longer. So much

that I might call her, if she were never to bear
the name, never turn to it, suffer shaming, mull its
range and implications, blame it, change it, move

away to San Marino, Vatican City, Lesotho.

Citation for Anne Carson’s “Men in the Off Hours”

by Carolyn Forché



Anne Carson continues to redefine what a book of poetry can be; this ambitious collection ranges from quatrains studded with uncanny images (‘Here lies the refugee breather/who drank a bowl of elsewhere’) to musing verse essays, personal laments, rigorous classical scholarship, and meditations on artists’ lives, caught in the carnage of history. All are burnished by Carson’s dialectical imagination, and her quizzical, stricken moral sense.

The Cows on Killing Day

by Les Murray



All me are standing on feed. The sky is shining.

All me have just been milked. Teats all tingling still
from that dry toothless sucking by the chilly mouths
that gasp loudly in in in, and never breathe out.

All me standing on feed, move the feed inside me.
One me smells of needing the bull, that heavy urgent me,
the back-climber, who leaves me humped, straining, but light
and peaceful again, with crystalline moving inside me.

Standing on wet rock, being milked, assuages the calf-sorrow in me.
Now the me who needs mounts on me, hopping, to signal the bull.

The tractor comes trotting in its grumble; the heifer human
bounces on top of it, and cud comes with the tractor,
big rolls of tight dry feed: lucerne, clovers, buttercup, grass,
that’s been bitten but never swallowed, yet is cud.
She walks up over the tractor and down it comes, roll on roll
and all me following, eating it, and dropping the good pats.

The heifer human smells of needing the bull human
and is angry. All me look nervously at her
as she chases the dog me dream of horning dead: our enemy
of the light loose tongue. Me’d jam him in his squeals.

Me, facing every way, spreading out over feed.

One me is still in the yard, the place skinned of feed.
Me, old and sore-boned, little milk in that me now,
licks at the wood. The oldest bull human is coming.

Me in the peed yard. A stick goes out from the human
and cracks, like the whip. Me shivers and falls down
with the terrible, the blood of me, coming out behind an ear.
Me, that other me, down and dreaming in the bare yard.

All me come running. It’s like the Hot Part of the sky
that’s hard to look at, this that now happens behind wood
in the raw yard. A shining leaf, like off the bitter gum tree
is with the human. It works in the neck of me
and the terrible floods out, swamped and frothy. All me make the Roar,
some leaping stiff-kneed, trying to horn that worst horror.
The wolf-at-the-calves is the bull human. Horn the bull human!

But the dog and the heifer human drive away all me.

Looking back, the glistening leaf is still moving.
All of dry old me is crumpled, like the hills of feed,
and a slick me like a huge calf is coming out of me.

The carrion-stinking dog, who is calf of human and wolf,
is chasing and eating little blood things the humans scatter,
and all me run away, over smells, toward the sky.

Epistolary Correspondences

by Susan Howe



Before I was sent to Little Sir Echo I had an imaginary friend who lived in our Buffalo mailbox. His name was Mr. Bickle. When we moved to Cambridge he vanished as transitional objects tend to do although his name lives on as a family anecdote.

     Strange that one half-suffocated picnic in the course of life can disappear into Lake Armington’s hanging rock echo portals. Until the replication of love prevails in art and Periscope – one of Paul Thek’s late “picture-light” paintings, bubbles up from puddle blue depths

     So many things happen by bringing to light what has long been hidden. Lilting betwixt and between. Between what? Oh everything. Take your microphone. Cross your voice with the ocean.
     I’m here, I’m still American

The Rez Sisters II

by Billy-Ray Belcourt



after tomson highway

girl of surplus. girl who is made from fragments. she who can only
be spoken of by way of synecdoche. she whose name cannot be
enunciated only mouthed.

mother of that which cannot be mothered. mother who wants
nothing and everything at the same time. she who gave birth to
herself three times: 1. the miscarriage. 2. the shrunken world.
3.the aftermath.

sister of forest fire. sister who dwells in the wreckage. she who forages
for the right things in the wrong places. nothing is utopia and so she
prays to a god for a back that can bend like a tree splitting open to
make room for the heat.

aunt of the sovereignty of dust. aunt of that which cannot be
negated entirely. she who is magic because she goes missing and
comes back. she who walks upside down on the ceiling of the
world and does not fall.

kookum of love in spite of it all. kookum who made a man out of
a memory. she who is a country unto herself.

father of ash. father of a past without a mouth. he who ate too much
of the sunset.

A Short Story of Falling

by Alice Oswald



It is the story of the falling rain
to turn into a leaf and fall again

it is the secret of a summer shower
to steal the light and hide it in a flower

and every flower a tiny tributary
that from the ground flows green and momentary

is one of water’s wishes and this tale
hangs in a seed-head smaller than my thumbnail

if only I a passerby could pass
as clear as water through a plume of grass

to find the sunlight hidden at the tip
turning to seed a kind of lifting rain drip

then I might know like water how to balance
the weight of hope against the light of patience

water which is so raw so earthy-strong
and lurks in cast-iron tanks and leaks along

drawn under gravity towards my tongue
to cool and fill the pipe-work of this song

which is the story of the falling rain
that rises to the light and falls again

I fold in half

by Aisha Sasha John



Documents destined for the shredder.

I leave flat the ones to be scanned into patient charts.

I consider how long stickers have rested on the glass
Protecting me from potential
Disease and violence
Of the people.

The first time I came here I was late, I was scolded
I was bleeding
I barely even cared
Fuck, look:
When I start to bleed
I have to eat

The Rez Sisters II

by Billy-Ray Belcourt



girl of surplus. girl who is made from fragments. she who can only
be spoken of by way of synecdoche. she whose name cannot be
enunciated only mouthed.

mother of that which cannot be mothered. mother who wants
nothing and everything at the same time. she who gave birth to
herself three times: 1. the miscarriage. 2. the shrunken world.
3.the aftermath.

sister of forest fire. sister who dwells in the wreckage. she who forages
for the right things in the wrong places. nothing is utopia and so she
prays to a god for a back that can bend like a tree splitting open to
make room for the heat.

aunt of the sovereignty of dust. aunt of that which cannot be
negated entirely. she who is magic because she goes missing and
comes back. she who walks upside down on the ceiling of the
world and does not fall.

kookum of love in spite of it all. kookum who made a man out of
a memory. she who is a country unto herself.

father of ash. father of a past without a mouth. he who ate too much
of the sunset.