The Griffin Poetry Prize is Canada's most generous poetry award. It was founded in 2000 by businessman and philanthropist Scott Griffin. The awards go to one Canadian and one international poet who writes in the English language. The winning poets receive $65,000 (Cdn) each and an additional $10,000 (Cdn) goes to each shortlisted poet who reads at the annual Griffin Poetry Prize Shortlist Readings in Toronto, Canada.
Dean Young, Griffin Poetry Prize 2009 International Shortlist
Dean Young has published eight previous books, most recently elegy on toy piano, which was named a finalist for the Pulitzer Prize, and Embryoyo. His collection Skid was a finalist for the Lenore Marshall Prize. Young has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2007 he received an Academy Award in Literature from the American Academy of Arts and Letters. He teaches at The Writers’ Workshop at the University of Iowa and in the Warren Wilson Low Residency Program. Dean Young divides his time between Berkeley, California, and Iowa City, Iowa, residing with his wife, the novelist Cornelia Nixon.
Judges’ Citation
“Dean Young is a high-energy poet of copious invention and bold imagination. His vigorous, vibrant, fast-paced poems make startling connections between highly improbable things as they take the measure of a world too variegated and complex to be fully comprehended, a ‘world so full/of detail yet so vague’. A Dean Young poem may set off from anywhere ['I am not a flower./I am a chunk of meat/sprayed by the department store cosmetic technicians'] and may lead anywhere ['My real mother burst into flame/smoking a Chesterfield in a paper shift']. His zany wit and hyperactive surrealism are all the more compelling for their capacity to suddenly morph into an elegiac register, marked by piquant ruminations on evanescence, mortality and death. As entertaining as they are original, as resourceful as they are beguiling, Young’s mesmeric poems convey a uniquely accurate sense of life as it is experienced in the fraught and tumultuous circumstances of the globalised twenty-first century.”
Summary
In Primitive Mentor, Young applies his wit and humour to a wide spectrum of topics: the afterlife, sex with strangers, loneliness, and his outlook on life. In this ninth collection, Dean Young remains as entertaining, imaginative and inventive as ever. He asks striking questions: ‘Why aren’t we more terrified of sleep,/of consciousness extinguished and no/guarantee of return?’ and makes unusual observations: ‘Some people should not/be exposed to modern art or permitted/gum.’
Note: Summaries are taken from promotional materials supplied by the publisher, unless otherwise noted.
R.H. Thomson reads Exit Exam, by Dean Young
Exit Exam, by Dean Young
Exit Exam
Difficult to believe what hurts so much when the cement truck bounces you off a tree trunk is not solid knocking solid but electron cloud repulsing electron cloud around the overall emptiness of matter, a clash of miniscule probabilities in the beehive of the void. Somehow you’re only scratched and bruised but the driver’s in agony, no license no immigration paper a picture of his wife still in Oaxaca five kids he sends money to so you try to assure him you’re okay look not hurt hopping foot to foot which only seems to him you’ve got trauma to the head or were already loco either way problemo. Your bicycle bent, he lifts it tears in his eyes which are mirrors showing everything on fire in black water. This is the universal language of bent bikes, something large and tragic writ in small words while the world burns in black water. Nothing will repair it is not true but now is not the time to bring that up. You are both golden pepperoncinis in the vinegar of life. So piquant, so sad. There is a wound where you bonked against the tree and the tree, as usual, deals with its injuries in good humor. A bird in its branches had just come to life, hideously bald, eyes unopened bulging sacks, too delicate, too helpless yet there is a concept of the cosmos forming in its tiny skull. It gapes and mother regurgitates nutritious worm. It grows a black miter and blue belly. Nest formation, a couple false starts then presto! It calls its mate radiant toy. Its mate calls back radiant toy. It gets trapped in the science building for an hour. Still, it understands no more than we do that voice coming toward us in our dented sorrow, our dark dread saying everything will be okay. Bright opening bright opening where does it come from? How can we get there? And if we do will we be petrified or dashed to even smaller pieces, will we be released from the wheelhouse or come back as hyena or mouse, as a cloud or rock or will it be sleep’s pure peace of nothingness?
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